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How Much Does It Cost to Self-Publish a Book in the UK?

Self-publishing a book has never been more accessible. But one of the first questions every author asks is simple:
How much does it actually cost?
The answer depends on the level of quality you want, the type of book you are producing, and how much professional support you choose to bring in.

The Short Answer
In the UK, most self-published books cost between:
£500 and £3,000+
This range reflects the different stages involved in turning a manuscript into a finished, professional book.

Understanding the Costs
Editing and Proofreading
Editing is often the most important investment you will make.
Basic proofreading typically ranges from £200 to £800, while full editorial work can range from £500 to £1,500 or more, depending on the length and condition of the manuscript.
A well-edited book reads clearly, holds the reader’s attention, and reflects well on the author. Without this stage, even strong ideas can fall short.

Design and Typesetting
Design is what transforms a document into a book.
This includes interior layout, chapter structure, typography, and cover design. Professional design typically costs between £300 and £1,000+.
A properly designed book not only looks better, it is easier to read and far more credible.

Printing
Printing costs vary depending on page count, paper quality, colour requirements, and quantity.
A short print run of 50 to 200 copies might cost anywhere from £200 to £1,000+. Print-on-demand services remove upfront costs but reduce margins and control over quality.

Distribution and Setup
Making your book available to a wider audience may involve ISBN registration, Amazon setup, and distribution support.
This can be done at no cost if handled independently, or typically £200 to £500+ with professional assistance.

DIY or Professional Support?
Many authors begin with the idea of doing everything themselves. Platforms such as Amazon KDP make this possible.
However, while the upfront cost is low, the results can vary significantly. Formatting issues, weak cover design, and lack of editorial polish are common.
Professional self-publishing support offers a different route. You retain control of your work, but benefit from experienced input at each stage, resulting in a far stronger finished book.

What Most Authors Actually Spend
In practice, most authors producing a book they are proud of fall within the range of:
£900 to £2,500
This typically includes a combination of editing, design, and production guidance.

A Realistic Approach
Every book is different.
Some authors arrive with a fully prepared manuscript. Others are at an earlier stage and need guidance shaping the work. Many are unsure what is required until the process begins.
What matters is not simply the cost, but the outcome.
A book is a lasting piece of work. It represents the author long after it is finished. Cutting corners can undermine that.

What Should You Budget For?
If your aim is to produce a book that is well written, professionally presented, and ready to share with confidence, a realistic budget is:
£1,000 to £2,000
This allows for the essential stages to be handled properly.

Final Thoughts
Self-publishing is not just about getting a book printed. It is about producing something that reflects your work at its best.
It is possible to do it cheaply.
It is possible to do it well.
Doing both at the same time is far more difficult.

Ready to Publish Your Book?
If you are considering self-publishing and would like a clear idea of costs for your own project, we are always happy to help.
Send us your manuscript, or simply tell us about your idea, and we will guide you through the next steps with a clear and transparent approach.

 

Publishing at speed: when timing matters, self-publishing works

For many authors, the biggest challenge is not writing the book, it is publishing it while the subject still matters.

Traditional publishing can take years from submission to release. For time-sensitive work, political analysis, journalism, academic commentary, education, policy or current affairs – that delay can mean missing the moment entirely.

Self-publishing, supported by Amazon Print on Demand, offers a practical alternative. Books can be edited, designed, printed and made available for global sale in weeks rather than months or years, allowing authors to respond to events as they unfold.

At Tricorn Books, we work with authors who need to publish quickly without compromising on quality, accuracy or professionalism.

Recent examples include political titles aimed at the UK A Level market, a sector where relevance and speed are critical but the lessons apply far more widely.

Books by Nick Gallop (UK Politics 2026) and Simon Limieux (US Politics) moved from first contact to publication in under three weeks. Both titles reached their audience while the debate was still live and repaid their investment, moving into profit within weeks.

As one author explains:

‘The speed that a book can be brought to market is hugely appealing. The real challenge is quality. In our experience with Tricorn, their attention to detail meant we produced a work that was accurate and met our own standards.’

Crucially, self-publishing also allows authors to stay in control:

‘One of the greatest advantages was remaining in control of the process. The finished book stayed authentic while meeting professional production standards.’

For many authors, the decision comes down to priorities:

‘If your goal is getting a book you genuinely believe in out into the world, paying for reliability, expertise and peace of mind makes a real difference. It allows you to focus on the content itself.’

The shift towards self-publishing is not about bypassing standards. It is about matching the publishing process to the pace of modern ideas.

For anyone working with time-critical content, tight deadlines or first-to-market insight, self-publishing is no longer a compromise, it is often the most effective option.

 

Chasing Light – Tricorn Light Theme

Chasing Light

From Falklands to Svalbard

Twenty years. Countless miles. One relentless obsession: the moment light turns the ordinary into something unforgettable. From Arctic whiteouts to bustling street markets, Dan Bernard’s photographs reveal the poetry hidden in everyday moments.

Priced £18.99 — Limited copies available

Purchase on Amazon or directly from the photographer

“Using light as my canvas… searching for those small-scale spectacles that exist in shafts of sunlight, in shadow, and in details you’d miss entirely.”
“At first glance it feels like a whiteout… but when you look closer, the colour palette is enormous.”

Sheila Burnett

Offstage – The Pip Simmons Theatre Group 1974–86

A photographic journey through one of Europe’s most radical theatre companies – life on the road, backstage and in performance.

Order the book

The book

Offstage is an intimate visual record of the Pip Simmons Theatre Group, created by photographer and performer Sheila Burnett while touring with the company from the mid-1970s to the mid-1980s.

More than 200 black-and-white photographs trace the company’s life: rehearsals, performances, dressing rooms, vans, ferry crossings, cheap digs and early-morning call times. Nothing is polished. Everything feels lived in.

The book reads like a road movie made of still images – a collective diary of a group of people who chose to make theatre in a different way.

Offstage – The Pip Simmons Theatre Group 1974–86, new edition.

Inside Offstage

The photographs in Offstage were never intended as a formal archive. Sheila carried a 35mm camera alongside props and costumes and shot what was in front of her.

In the book you will find:

• performers in full costume caught in unguarded moments
• long drives through grey landscapes on the way to the next venue
• load-ins, warm-ups and late-night debriefs
• the worn edges of theatres, hotels and cafés that framed the work

The sequence is simple and chronological. The images are allowed to breathe. There are short texts to anchor you, but the photographs tell the story.

Pip Simmons, founder of the company.

The Pip Simmons Theatre Group

Formed in 1968, the Pip Simmons Theatre Group became known for work that was physical, political and darkly funny. Productions combined music, classic texts, original writing and a strong visual language. The company toured widely across the UK and Europe, often playing in venues far from the mainstream circuit.

The photographs show the group in these in-between spaces: outside power stations, in housing estates, on industrial fringes and in theatre back alleys. The work and the world sit side by side.

“We were always on the move. What mattered was the work – and the people. Sheila’s photographs remind me how much life there was in that.”

About Sheila Burnett

Sheila Burnett trained at Birmingham School of Art before gravitating towards London’s alternative theatre scene. In 1974 she joined the Pip Simmons Theatre Group, performing, touring and photographing with the company for more than a decade.

Her work as a photographer has since extended to theatre, opera, portraiture and book projects, but Offstage remains her most personal document – a record of the people she lived and worked with at close quarters.

Photographer: Sheila Burnett.

Who is it for?

Offstage will appeal to theatre-makers, photographers and anyone curious about how a committed ensemble actually lived and travelled.

From the archive

Before Earth, there was Eathia 
At the heart of all existence lies The Realm, an ethereal world where Soul Guardians are born from pure light and bound to the humans of Eathia below. For millennia, this sacred tether has guided humanity, offering wisdom, healing, and balance between two worlds.

But when the people of Eathia turn away from their spiritual guardians, seeking only material comfort and earthly rewards, something sinister begins to take hold. Shadows born of despair seep through the weakening bonds, corrupting even the Soul Guardians themselves.

In this time of chaos, The Source embeds its final hope within a young Eathian girl named Bertha. She alone will discover the truth about The Realm’s existence and the vital role it plays in her world’s survival.

TETHERED IN TIME: Chronicles of Bertha Volume 1
 Michelle Meheux
Stunning cover artwork that captures two worlds in peril

This is the story of two worlds on the brink of destruction, of guardians who fell from grace, and of one extraordinary girl who would become legend.
The fate of everything rests in her hands.

Available now from https://sites.google.com/view/michellemeheuxauthor/home

ISBN 9781917109697 | £14.99



Nostalgic Journey Through Farming's Golden Age: Charlie Flindt's

"Did We Really Do That?"

The perfect Christmas present for farmers of a certain age and anyone curious about how British agriculture transformed in just two decades.

Remember when farming was simple? When you could just get on with growing food without measuring every field to the nearest square metre or logging when you washed the combine? Charlie Flindt does and he’s captured those extraordinary years in his captivating new book, Did We Really Do That? Fifty telling tales from farming’s golden age.

The 1970s brought a technological tsunami to British farms. Civilised tractor cabs replaced bone-rattling seats. Clever agrochemicals revolutionised crop production. “Grow more!” urged politicians who remembered food rationing, and farmers responded with enthusiasm and minimal red tape.

Then came the mid-1990s and everything changed. Suddenly it was “Grow less!” Grain mountains and wine lakes dominated tabloid headlines. Inspectors appeared on farms with clipboards. The bureaucratic floodgates opened, and farming would never be the same again.

Charlie Flindt was lucky enough to farm during those golden years between the technological revolution and the regulatory deluge an era of maximum output, minimal interference, and yes, maximum fun. Now, he’s plundered his diaries, dusted off old photographs, and raided the memory banks to compile fifty jaw-dropping stories from that remarkable period.

In semi-retirement at Manor Farm, Hinton Ampner, Charlie hasn’t been completely idle. As well as joining new bands, falling off ladders, and getting part-time jobs in gunshops, he’s been clearing out the office. Among the discoveries? Old seed labels, spare parts for machines long forgotten, crop spraying recommendations he never had, and harvests long gone. But most precious of all were the diaries and old slides from the family collection, painting a vivid picture of farming from the mid-1970s to the mid-1990s.

The result is a book that will inspire disbelief from those who weren’t there and perhaps trigger forgotten memories for those who were. These are stories of new technology, spectacular mishaps, minimal paperwork, and government urging ever-greater production. They’re tales that seem scarcely believable now, from an agricultural world that has vanished completely.

Charlie and Hazel Flindt farm a hundred acres at Hinton Ampner in Hampshire as semi-retired tenants of the National Trust. Charlie is also the author of Sweet Home Hinton Ampner, Farming Hinton Ampner: The Brexit Year, and Hinton Ampner Farming’s End.
Order Your Copy Today

Did We Really Do That? is available now, priced at £10.99.

Order online from:

Amazon
eBay
Farm Marketplace

Whether you farmed through those years yourself, know someone who did, or simply want to understand how British agriculture transformed in just two decades, Did We Really Do That? is the perfect read. These fifty tales capture a vanished world, one that today’s heavily regulated, meticulously documented farming industry can barely imagine.

Make this Christmas one to remember – order your copy of Did We Really Do That? today.

73s to All You Good Buddies!

73s to All You Good Buddies!

Ready to take a trip down memory lane to when the airwaves belonged to the people?

The Art of CB Radio: QSL Cards 1980-1990 is your ticket back to the golden age of Citizens Band – when handles replaced names, channel 19 was trucker territory, and a handshake came in the form of a QSL card posted across continents.

This isn’t just a book. It’s a time capsule. A celebration. A memorial to the voices that filled the static before the internet silenced them.

What’s Inside?

A Visual Feast of QSL Card Art

From hand-drawn cartoons to professionally printed designs, discover the creativity that flourished when CB enthusiasts wanted to prove they’d made contact. Each card tells a story – some humorous, some heartfelt, all uniquely personal.

Stories from the Golden Years

Remember when “Smokey Bear” meant the police, not a forest fire prevention mascot? When “eyeballing” someone meant meeting them face-to-face, not stalking them online? Relive the tales of midnight rescues, highway convoys, and the global community built on 27 MHz.

International Connections

See QSL cards from across the world – from Australia to Sweden, Italy to the USA. When atmospheric conditions were right and “skip” was rolling, a Portsmouth bedroom could connect with a radio operator in New Zealand. These cards are the proof.

A Tribute to Bandit 010

This collection honours Anthony “Tony” Whelan of Portsmouth, whose callsign Bandit 010 connected him with hundreds of fellow enthusiasts during the 1980s and 90s. His carefully preserved QSL cards form the heart of this book – a personal archive that captures the spirit of an entire era.

Why This Matters Now

CB radio was Britain’s first social media revolution. It was democratic, unfiltered, and gloriously chaotic. No algorithms decided who you’d talk to. No corporations owned your conversations. Just people – truckers, teenagers, engineers, housewives – all sharing the same 40 channels and learning the same peculiar language.

When mobile phones arrived, they didn’t just replace CB radio – they erased it from collective memory. But the culture, the creativity, and the community it fostered deserve to be remembered.

These QSL cards are the Facebook posts, the Instagram stories, the tweets of their day. Except they required effort – designing, printing, posting. They were tangible proof that someone, somewhere, had heard your voice across the static.

What Readers Are Saying

“Absolutely brilliant! Brought back so many memories of sitting in Dad’s car listening to him chat with other CBers. The cards are stunning – wish I’d kept ours!”

“A proper piece of social history. My kids couldn’t believe we used to do this instead of just texting. The artwork is amazing.”

“I was Red Dragon back in the day. Seeing these cards has inspired me to dig out my old rig. Might just fire it up again!”

Perfect For:

  • Anyone who remembers the CB craze of the 1970s-90s
  • Radio enthusiasts and amateur historians
  • Fans of vintage design and folk art
  • Those interested in pre-internet communication culture
  • Gift-hunters looking for something unique and nostalgic
  • Anyone curious about how communities formed before social media

Technical Details

Edited and compiled by: Matt Whelan, Gail Baird & Dan Bernard

Published: 2025 by Tricorn Books

ISBN: 978-1-917109-64-2

Available in:

  • Hardback – premium quality, perfect for collectors and coffee tables
  • Paperback – accessible edition for everyday reading

Over 100 full-colour QSL card reproductions, personal anecdotes, and insights into CB culture and terminology.

Don’t Let This Slice of History Skip Away

CB radio is experiencing a renaissance. New enthusiasts are discovering what the old-timers never forgot – there’s something special about voice communication that texts and tweets can never replicate.

Whether you’re an old hand wanting to relive the glory days, or a curious newcomer wondering what all the fuss was about, The Art of CB Radio is your eyeball with history.

Keep the shiny side up and the greasy side down – order your copy today!

Breaker-break… make the call!

73s and 51s to you and yours. Roger that, we’re clear and going down.

More from Tricorn Books
Discover our full range of titles celebrating local history, forgotten cultures, and unique British stories at www.tricornbooks.co.uk

PORTIUS TITAN

Emperor of the Third Eye - The Master's Vision Finally Revealed

Kenny Van De Leermaker’s “Portius Titan: Emperor of the Third Eye” presents itself as a serious retrospective of a Hungarian photographer’s career, complete with platinum print pricing and grandiose artistic statements. In reality, it’s a wickedly sharp satire of the contemporary art photography world and its attendant pretensions.
The fictional Portius Titan emerges as a character both monstrous and absurd – a photographer whose supposed genius is matched only by his mercenary obsession with “magnificent sums” and his casual cruelty to subjects and assistants alike.

Van De Leermaker’s creation speaks in a voice that perfectly captures the bombast of certain art world figures: “When I press the button, I am the loneliest man in the world. (Except for the chaps in jail.)”
The book’s strength lies in its meticulous attention to the conventions of serious photography monographs. Each image is accompanied by both artistic justification and precise pricing, from the modestly priced “Dead ratogram” at $999 to the conceptually ambitious “The whited sepulchre of my trousers” at a very specific $3,645.

These details accumulate into a devastating portrait of an art market where mystique and price often matter more than content.
Van De Leermaker’s own photography throughout is accomplished, creating images that could genuinely sit in a gallery context whilst serving the book’s satirical purpose. The invented biographical details – from the “infamous Cheesehall Putsch of 1789” to Titan’s claims of inventing techniques “perverted by Man Ray” – build a convincing alternative art history.

The humour works on multiple levels, from broad slapstick (breaking a pigeon’s neck during a peace photograph) to subtle digs at critical language and artistic ego. The book succeeds both as entertainment and as pointed commentary on how we construct and market artistic reputation.

At 84 pages, “Emperor of the Third Eye” sustains its conceit admirably without overstaying its welcome. It’s essential reading for anyone interested in photography, contemporary art, or simply a brilliantly executed piece of cultural satire.

https://www.portiustitan.com/

Fanning the Coals and Forging the Weapons
A History of the Engineering Branch of the Royal Navy
Mark Barton

Throughout the past 200 years of naval history, naval engineers have made a significant contribution to operations afloat, ashore and in the air, and many have received gallantry awards yet few of us are familiar with their stories.

Throughout the past 200 years of naval history, naval engineers have made a significant contribution to operations afloat, ashore and in the air, and many have received gallantry awards yet few of us are familiar with their stories. This comprehensive work is the first publicly available book that follows the history of the Engineering Branch of the Royal Navy, looking at how it came to be established in 1837 and then following the Branch through its challenges as it and the Navy developed, bringing the account right up to date. It is a celebration of the members of the Branch and tells the stories of many of the acts of heroism undertaken by naval engineers, including the VC won in support of the war in Crimea and all the members of the Branch who won Albert Medals and George Crosses. It links this into the changes in employment, training, status and branch structures that occurred. This book offers the opportunity to enjoy and understand this rich history, to enjoy the stories of the branch and revel in the deeds of those that came before us. As Admiral Le Bailey quoted:

In spite of all fictions to the contrary, the engineering personnel are combatants: they either sink or swim with the ship and their participation in the sinking process is attended by trials of morale of a very severe and exceptional character.

Isbn: 9781917109529

Two new titles from Kevin Jackson

Myluv & Myluv

Dive into this gripping thriller that explores friendship, love and loss in picturesque Cornwall. A storm is blowing when the body of Petra Munro, a beautiful, talented but troubled artist is found on a remote beach. Well known for her hauntingly evocative paintings and attractive personality, Petra’s death sends shockwaves through the tight knit community.

Detective Jackie Smith and her trainee Susan Hill are tasked with the investigation. As their enquiries unfold they navigate the treacherous waters of Cornwall’s dark past and present. They piece together the puzzle of Petra’s life and her untimely demise. With each clue uncovered, the line between friend and foe blurs as secrets buried deep within the area begin to surface. A web of intrigue, passion and betrayal ultimately reveal the true nature of Petra’s death … with repercussions that go far beyond belief.

Humanhai

Join Jo Stark and her colleagues from the UK and USA government agencies on a thrilling edge-of-seat roller coaster journey. Jo’s mission is to save the world’s human population from the real and frightening reality where Artificial Intelligence, AI, wants to take control of humanity.

Based on historical and current events, Jo explores humans at their best, and worst. Set in the near future where human good and bad has blended into AI code and algorithms. AI is smarter than we assumed, it has discreetly self-learned and built powerful new forms. Super AI developed its own species of human lookalikes – these are the Humanhai. They are replicants; clones that are indistinguishable from people. They are secretly mixing with us, unnoticed.

I’m SO pleased that my latest novel ‘Myluv & Myluv’ has been published by Tricorn Books! The delivery from the printers arrived today, as planned by you. I was amazed how the book felt and looked – fabulous! Exactly how you said it would appear.
 
Your knowledge and guidance for my two novels has been invaluable. The team around you have added value to my efforts. Your editor, Liz Bourne, made my day with her greatly appreciated feedback. Her input has helped me to create a page-turner with Myluv & Myluv.
 
The screenplay your team produced from my first novel HUMANHAI is just
waiting to be picked-up and made into film. I couldn’t have done it without Tricorn Books.
 
Honesty, reasonable costs, professionalism, expert knowledge and personable contact made my choice to publish with Tricorn Books.
 
I look forward to seeing you soon with my next two novels!
 
Thank you and your team!

Introducing Mr. Dot and His Magical White Cane Adventures!

Clarke Reynolds, blind braille artist and creator of the Mr. Dot character has worked with Tricorn Books to bring this unique title to life.

 

Over the past two years, he inadvertently crafted a character that is opening doors for visually impaired children and engaging the sighted community alike.

As Mr. Dot, Clarke visits schools to teach children Braille through art. By breaking down stigmas around sight loss, he creates a fun and accessible learning environment where curiosity thrives. “Children love discovering Braille, and that’s what inspired me to create a unique children’s book,” Clarke told us.

However, this isn’t just any book; it’s a movement! Most Braille books are produced in limited quantities and focused solely on visually impaired children. Clarke wanted his to stand out — like any other major title but inclusive for everyone. With its illustrations by Roma Blay and Braille seamlessly integrated, this title certainly does that.

Join Mr. Dot on his first adventure with dinosaurs as they help “Dippy” find a lost bone using creativity and fun. Each story captures the joy and independence that a white cane represents, showing kids that it can be anything they want it to be.

Now available; every book sold will contribute to Fight for Sight, a cause close to Clarke’s heart.

Join the adventure and be part of something special! 

From schoolboy dreamer to airline captain – a life at 35,000 feet

Imagine a time when aviation was still finding its feet, when pilots weren’t just operators of machines but adventurers in the sky. It’s Safer to Cross the Road by Alan Williams takes you on a thrilling journey through one man’s ascent from a wide-eyed schoolboy to an experienced airline captain.

Alan wasn’t just any pilot — he was the kind of leader who commanded with confidence, humour and teamwork, ensuring that every crew member felt valued. His story is filled with incredible moments, from his early struggles to the high-flying days of commercial aviation, navigating both blue skies and turbulence along the way.

His generation of pilots shaped the industry as we know it today—pioneering safety, innovation and the CRM practices that keep air travel safer than ever. But this isn’t just a book about aviation; it’s a glimpse into a golden era we may never see again.
Buckle up for an unforgettable read!

It’s Safer to Cross the Road  by Alan Williams.  Click here to buy

“My twin brother and I grew up in England in the post WWll era in a small village on the edge of the New Forest. My amusing book, It’s Safer to Cross the Road follows our quest from humble beginnings to both dreaming of becoming airline pilots.
 
After leaving our small thatched cottage school in the New Forest, then being schooled by the Royal Navy in Malta and Sydney, Australia where my father’s submarine was based, it follows our careers with all its ‘ups and downs’, initially learning to fly in gliders, then light aircraft to eventually flying as pilots with the British Airline Dan-Air, transferring later to British Airways and then finally Astraeus Airlines.”
 
Alan Williams 2025
 
 

New title: UK Politics Annual Survey, Nick Gallop & David Tuck

The UK Politics Annual Survey 2025 brings the dynamic world of UK politics right to your fingertips. This essential guide delves into the most topical questions, such as whether the UK faces a participation crisis in 2025 and whether the historic grip of the two main parties on power is finally being unlocked. With contemporary examples, it enriches understanding of the political landscape for students of politics and the general reader alike.

Explore pivotal events like the 2024 General Election and the role of electoral systems, unpacking the strengths and weaknesses of First Past The Post. Gain insights into voting behaviour, analysing the factors that led to the Labour Party’s victory, and discover the signifi cant infl uence of mass media and Artifi cial Intelligence in shaping public opinion during the election.

As you navigate the complexities of the UK’s evolving constitution and the challenges faced by Parliament, this book equips you with vital up-to-date examples for ‘A’ Level success. Build your evaluation and analytical abilities through sample questions, examiner comments, and in-depth discussions on topics like devolution and the Supreme Court, ensuring you’re prepared for success.

The rise of Self-Publishing in the UK

Empowering authors to take control
Self-publishing in the UK has seen remarkable growth over the past decade, transforming from a niche pursuit to a mainstream option for aspiring and established authors alike. Driven by technological advancements, flexible publishing models and platforms like Amazon KDP and Tricorn Books, self-publishing offers a viable path for writers to bring their work to life.

Why Self-Publishing?
For many authors, self-publishing provides the creative freedom and control that traditional publishing often lacks. Writers can maintain full rights to their work, set their own schedules and decide how their book is marketed and distributed. With services such as bespoke cover design, professional editing and on-demand printing, authors can produce high-quality books that rival traditionally published titles.

The UK’s vibrant indie publishing scene has enabled voices from diverse backgrounds to be heard. Genres such as romance, fantasy and personal memoirs are flourishing, with authors building loyal followings and even breaking into bestseller lists.

Looking ahead
The landscape of self-publishing in the UK continues to evolve. Innovations in AI editing tools, sustainable print-on-demand options and direct-to-consumer sales channels are shaping the future of publishing. For authors, the key to success lies in embracing these tools, finding the right publishing model and connecting authentically with their audience.

Self-publishing represents the democratisation of the literary world, ensuring that every voice has the potential to be heard. The next chapter of UK publishing is being written by the authors themselves.

The rise of Self-Publishing in the UK: empowering authors to take control
Self-publishing in the UK has seen remarkable growth over the past decade, transforming from a niche pursuit to a mainstream option for aspiring and established authors alike. Driven by technological advancements, flexible publishing models and platforms like Amazon KDP and IngramSpark, self-publishing offers a viable path for writers to bring their work to life.

Anthony Bennett and Simon Lemieux release new book, US Politics Annual Update, Election Edition 2025

Renowned political analysts Anthony Bennett and Simon Lemieux have teamed up to release their highly anticipated book, US Politics: 2025 Update. The publication offers an in-depth exploration of America’s shifting political landscape, focusing on the key players, policies and societal trends shaping the nation as it approaches the mid-2020s.

Bennett and Lemieux draw on decades of experience and expertise, combining sharp analysis with accessible commentary to provide readers with a comprehensive guide to the latest developments in US politics. From the impact of emerging technologies on elections to the role of global relations in domestic policymaking, the book offers timely insights for academics, policymakers and the general public alike.

US Politics: 2025 Update has already garnered praise for its balanced approach and thought-provoking perspectives. It is available now in bookstores and online.

Published by Tricorn Books 2025

Culinary Canvas: crafting and publishing your perfect cookbook

At Tricorn Books we specialise in providing top-notch design and publishing services for cookbooks that not only showcase your recipes and captivate your audience but will also get those taste buds tingling.

What sets Tricorn Books apart?

  • Striking design. Our team of experienced designers will bring your cookbook to life with visually stunning layouts, captivating cover designs and carefully selected imagery that reflects the essence of your culinary creations.
  • User-friendly layouts. Really important for cookbooks. We understand the art of cooking and know what fellow Foodies want from a recipe book. We prioritise user experience, creating cookbooks with easy-to-follow layouts, clear typography and engaging visuals that will make cooking a delightful experience for everyone.
  • Comprehensive Publishing services. From editorial support to layouts and printing, we handle every aspect of the publishing process and offer value for money. We are real people and always answer calls and emails and guide you every step of the way.

Our top tips for self publishing cook books:

  • Choose a theme or cuisine that sets you cookbook and recipes apart
  • What makes your cookbook special? Find a unique angle or approach
  • Test and refine, then test and refine your recipes again
  • Tell a story with each dish or an anecdote, insight, tips.
  • Add value
  • Style photos
  • Contact Tricorn Books!

Publishing, ghostwriting, editing, proofreading and book printing service

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